Van Gogh Paintings at the Museum of Modern Art
Vincent van Gogh The Starry Night Saint Rémy, June 1889
- MoMA, Floor v, 502 The Alfred H. Barr, Jr. Galleries
In creating this image of the night heaven—dominated by the brilliant moon at right and Venus at centre left—van Gogh heralded modern painting'due south new embrace of mood, expression, symbol, and sentiment. Inspired by the view from his window at the Saint-Paul-de-Mausole asylum in Saint-Rémy, in southern France, where the creative person spent twelve months in 1889–ninety seeking reprieve from his mental illnesses, The Starry Night (fabricated in mid-June) is both an do in observation and a articulate departure from it. The vision took place at night, yet the painting, among hundreds of artworks van Gogh made that year, was created in several sessions during the day, nether entirely dissimilar atmospheric conditions. The picturesque village nestled beneath the hills was based on other views—it could non be seen from his window—and the cypress at left appears much closer than it was. And although sure features of the sky accept been reconstructed as observed, the artist contradistinct celestial shapes and added a sense of glow.
Van Gogh assigned an emotional language to night and nature that took them far from their actual appearances. Dominated past vivid dejection and yellows applied with gestural verve and immediacy, The Starry Night also demonstrates how inseparable van Gogh's vision was from the new procedures of painting he had devised, in which color and paint describe a world outside the artwork even equally they telegraph their own status as, merely, color and paint.
Publication excerpt from MoMA Highlights: 375 Works from The Museum of Mod Art, New York (New York: The Museum of Modern Art, 2019)
Vincent van Gogh produced emotional, visually absorbing paintings over the grade of a career that lasted only a decade. Nature, and the people living closely to it, first stirred his artistic inclinations and connected to inspire him throughout his short life. Just rather than faithfully depicting his surroundings, he painted landscapes altered by his imagination. Van Gogh was seeking respite from plaguing depression at the Saint-Paul aviary in Saint-Rémy in southern French republic when he painted The Starry Night. Information technology reflects his direct observations of his view of the countryside from his window too as the memories and emotions this view evoked in him. The steeple of the church, for example, resembles those common in his native Netherlands, while the mountains in the groundwork depict those in his surrounding landscape.
Publication extract from Modern Art & Ideas on Coursera
- Medium
- Oil on canvass
- Dimensions
- 29 x 36 1/4" (73.7 x 92.1 cm)
- Credit
- Acquired through the Lillie P. Bliss Heritance (by commutation). Conservation was made possible by the Banking company of America Art Conservation Project
- Object number
- 472.1941
- Section
- Painting and Sculpture
We have identified these works in the following photos from our exhibition history.
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Painting, Sculpture, Prints
May 24–Oct 15, 1944
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The Museum Collection of Painting and Sculpture
Jun 20, 1945–Feb thirteen, 1946
2 other works identified
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The Museum Drove of Painting and Sculpture
Jun 20, 1945–Feb 13, 1946
2 other works identified
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Designed for Children
Jun 11–October 6, 1946
two other works identified
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XXVth Anniversary Exhibition: Paintings from the Museum Collection
Oct 19, 1954–Feb 6, 1955
2 other works identified
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Fine art in a Changing Earth: 1884–1964: Painting and Sculpture from the Museum Drove
May 27, 1964
1 other work identified
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Selections from the Permanent Collection: Painting and Sculpture
May 17, 1984–Aug 4, 1992
3 other works identified
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Selections from the Permanent Collection of Painting and Sculpture
Jul 1, 1993
2 other works identified
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MoMA2000, ModernStarts, Places: French Mural, The Modernist Vision, 1880-1920
Oct 28, 1999–Mar fourteen, 2000
1 other work identified
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Collection Highlights
May 8–10, 2002
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To Be Looked At: Painting and Sculpture from the Collection
Jul 3, 2002–Sep 6, 2004
2 other works identified
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To Be Looked At: Painting and Sculpture from the Collection
Jul 3, 2002–Sep 6, 2004
6 other works identified
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Painting &
Sculpture Two November 20, 2004–Aug 5, 2015
3 other works identified
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Van Gogh and the Colors of the Night
Sep 21, 2008–January 5, 2009
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Van Gogh and the Colors of the Nighttime
Sep 21, 2008–Jan 5, 2009
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501: 19th-Century Innovators
Fall 2019–Autumn 2021
11 other works identified
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501: 19th-Century Innovators
Autumn 2019–Fall 2021
10 other works identified
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517: Surrealist Objects
Ongoing
6 other works identified
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517: Surrealist Objects
Ongoing
4 other works identified
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501: 19th-Century Innovators
Fall 2019–Fall 2021
i other work identified
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502: Lillie P. Bliss
Ongoing
2 other works identified
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502: Lillie P. Bliss
Ongoing
4 other works identified
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502: Lillie P. Bliss
Ongoing
In 2018–19, MoMA collaborated with Google Arts & Culture Lab on a project using machine learning to identify artworks in installation photos. That project has concluded, and works are now beingness identified by MoMA staff.
If yous discover an mistake, please contact us at [email protected].
This work is included in the Provenance Research Project, which investigates the ownership history of works in MoMA'due south drove.
June - September 1889, Vincent van Gogh, Saint-Rémy-de-Provence.
September 1889 - Jan 1891, Theo van Gogh (1857-1891), Paris, acquired from his brother Vincent van Gogh.
January 1891 - December 1900, Johanna (Jo) van Gogh-Bonger, Amsterdam, in trust for her son, Vincent Willem van Gogh, Amsterdam, inherited from Theo van Gogh.
December 1900 - February 1901, Julien Leclercq, Paris, purchased through Jo van Gogh-Bonger.
February 1901 - before July 1905, Claude-Emile Schuffenecker, Paris, acquired by commutation from Julien Leclercq.
Past July 1905 - March 1906, Jo van Gogh-Bonger, Amsterdam, reacquired from Claude-Emile Schuffenecker.
[Oldenzeel Gallery, Rotterdam]
1906 - 1938, Georgette P. van Stolk (1867-1963), Rotterdam, purchased from/through Oldenzeel Gallery.
1938 - 1941, Paul Rosenberg Gallery, New York, purchased from Georgette P. van Stolk through Jacob-Baart de la Faille.
1941, The Museum of Modernistic Art, New York, acquired past exchange from Paul Rosenberg Gallery.
Provenance enquiry is a work in progress, and is frequently updated with new information. If you lot have whatsoever questions or information to provide most the listed works, please email [email protected] or write to:
Provenance Inquiry Project
The Museum of Modern Art
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New York, NY 10019
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Source: https://www.moma.org/collection/works/79802
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